SO TIME & TECHNOLOGY CAUGHT UP WITH THE WORLD FAMOUS FAT BEATS NEW YORK CITY , YOU CAN GO BACK AND FORTH ON THE SADNESS OF ALL THE CHANGE OF TINGS BUT LETS FACE IT IT'S DONE AND DUSTED AND THERE AIN'T A DAY IN THE FUTURE WHEN VINYL CULTURE WILL EVER SEE THE HEYDAY'S OF THE 60'S , 70'S 80'S AND HIGH POINTS OF THE 90'S.
SORRY WRONG TURN THERE ANYWAYZ......MANY SETS UP FROM THE FINAL DAY OF THE STORE.....I'VE SEEN CAT'S CREAMING THEMSLEVES OVER THE PRIMO SET ( THEY MUST BE HEADZ OF LTD KNOWLEDGE CAUSE IT'S BRUTAL ).
HERE IS A CRACKING SET FROM OF ALL PEOPLE JUST BLAZE ( I NEVER THOUGHT OF HIM AS ANYTHING BUT A SHOUT OUT DJ WHEN HE DJ'S( YES HE PRODUCED SOME OF THE BIGGEST TUNES OF LATE LATE 90'S AND MID NAUGHTIES. )
IF YA GOING TO DO RAP-ALONG 8 TO 16 BAR SETS....WELL THIS AIN'T TOO SHABBY.
www.goldy.vwat.net
Monday, September 13, 2010
DA MONDAY BREAK...........QUINCY JONES " SUMMER IN THE CITY "
LET'S DO A "MUSIC SUPPLEMENT" " LAZY JOURNALISM " PIECE
SO WITH SUMMER HEADIN AWAY AGAIN ( WELL IN EUROPE.......:-( ) SEE WHAT I JUST DONE DID.....TIED IN TWO SUBJECTS IN ONE HANDY HEADLINE.
NOW THE FILLER.
A SECTION OF QUINCY JONES COVER OF THE LOVIN SPOONFULS " SUMMER IN THE CITY " BECAME A FAVE WITH THE MID 90'S BEAT PRODUCERS .
WITH " SUMMER " IT WASN'T SO MUCH THE DRUM BREAK THAT GRABBED YA IT WAS THE STRING'S & KEY'S.....HANDY THAT THE DRUMMERS SINGLE SHOTS ALSO CAPTURED THE MOODY VIBES OF THE ARRANGEMENT.
MANY AN MPC JUST STRAIGHT LOOPED UP 8 BARS.
TRIP HOP HAD STARTED TO BE A SELLER , THE " MOODY " AND " ATMOSPHERIC " BREAK THAT IS " SUMMER " SUITED THE " JEEP HAT " " BEARD " " CARHARTT JEANS & JACKET " BRIGADE AND RESULTED IN MANY , MANY INSTRUMENTAL CUTS.
( BY THE WAY AT DIFFERENT POINTS I TICKED ALL THE ABOVE BOXES , NO SNOB-A-TUDE AROUND HERE KIDDDDDD )
FOR TODAY ITS A JUMBLE SALE OF USE'S.
SPARK A PHAT ONE AND GET CHILLED , THEN GET YER KILLING SPREE RUFF-NECK ON AND THEN CHILL AGAIN.
THE LOVIN SPOONFUL ( ORIGINAL )
QUINCY JONES " SUMMER IN THE CITY "
DA HOMAGES.
JOE & MYSTIKAL ( MY PERSONAL FAV FLIPPING IT , TICKS A LOT OF BOXES CRACKING SIMPLE STYLE PRODUCTION , U CAN JUDGE A CLUB U NEVER PLAYED BEFORE BY THE AUDIENCES REACTION TO THIS AND MYSTIKAL KILLS IT )
THE ROOTS
EL DA SENSI
BLACK MOON ( FIRE UP "LEFT FOR DEAD" FOR EXTRA ENJOYMENT OF THIS VERSION )
SHADOW & CHEMIST ( IN DA MIXXX , HERE COME THE BEARD'S )
THE PHARCYDE ( THE MOST FAMOUS )
PEANUT BUTTER WOLF
LL COOL J ( UNDERRATED COOL J TUNAGE )
NIGHTMARE ON WAX ( HERB KREW IN FULL EFFECT )
APHRODITE ( JUMP UP.LIGHTER KREW )
FU -SCHNICKENS
DOBIE ( IRELAND'S VERY OWN )
MASSIVE ATTACK ( BEARD FAV )
DA YOUNGSTAS ( ANOTHER PERSONAL FAV )
SPARK ONE FOR THE FUNKY ONE.
GOLDY.
www.goldy.vwat.net
SO WITH SUMMER HEADIN AWAY AGAIN ( WELL IN EUROPE.......:-( ) SEE WHAT I JUST DONE DID.....TIED IN TWO SUBJECTS IN ONE HANDY HEADLINE.
NOW THE FILLER.
A SECTION OF QUINCY JONES COVER OF THE LOVIN SPOONFULS " SUMMER IN THE CITY " BECAME A FAVE WITH THE MID 90'S BEAT PRODUCERS .
WITH " SUMMER " IT WASN'T SO MUCH THE DRUM BREAK THAT GRABBED YA IT WAS THE STRING'S & KEY'S.....HANDY THAT THE DRUMMERS SINGLE SHOTS ALSO CAPTURED THE MOODY VIBES OF THE ARRANGEMENT.
MANY AN MPC JUST STRAIGHT LOOPED UP 8 BARS.
TRIP HOP HAD STARTED TO BE A SELLER , THE " MOODY " AND " ATMOSPHERIC " BREAK THAT IS " SUMMER " SUITED THE " JEEP HAT " " BEARD " " CARHARTT JEANS & JACKET " BRIGADE AND RESULTED IN MANY , MANY INSTRUMENTAL CUTS.
( BY THE WAY AT DIFFERENT POINTS I TICKED ALL THE ABOVE BOXES , NO SNOB-A-TUDE AROUND HERE KIDDDDDD )
FOR TODAY ITS A JUMBLE SALE OF USE'S.
SPARK A PHAT ONE AND GET CHILLED , THEN GET YER KILLING SPREE RUFF-NECK ON AND THEN CHILL AGAIN.
THE LOVIN SPOONFUL ( ORIGINAL )
QUINCY JONES " SUMMER IN THE CITY "
DA HOMAGES.
JOE & MYSTIKAL ( MY PERSONAL FAV FLIPPING IT , TICKS A LOT OF BOXES CRACKING SIMPLE STYLE PRODUCTION , U CAN JUDGE A CLUB U NEVER PLAYED BEFORE BY THE AUDIENCES REACTION TO THIS AND MYSTIKAL KILLS IT )
THE ROOTS
EL DA SENSI
BLACK MOON ( FIRE UP "LEFT FOR DEAD" FOR EXTRA ENJOYMENT OF THIS VERSION )
SHADOW & CHEMIST ( IN DA MIXXX , HERE COME THE BEARD'S )
THE PHARCYDE ( THE MOST FAMOUS )
PEANUT BUTTER WOLF
LL COOL J ( UNDERRATED COOL J TUNAGE )
NIGHTMARE ON WAX ( HERB KREW IN FULL EFFECT )
APHRODITE ( JUMP UP.LIGHTER KREW )
FU -SCHNICKENS
DOBIE ( IRELAND'S VERY OWN )
MASSIVE ATTACK ( BEARD FAV )
DA YOUNGSTAS ( ANOTHER PERSONAL FAV )
SPARK ONE FOR THE FUNKY ONE.
GOLDY.
www.goldy.vwat.net
Thursday, September 9, 2010
READY TO BATTLE ?
SO MANY SETS FROM ONE OF DENMARK'S FINEST BUT THIS PEACH HAS TURNED UP ON YOUTUBE AND IT'S GOB SMACKING 1995 BABBBBBBYYYYY!!!!!!!!!!
ONE.
GOLDY
www.goldy.vwat.net
ONE.
GOLDY
www.goldy.vwat.net
Wednesday, September 8, 2010
Edit Of The Week
Chaka Khan - Eye to eye (rayko edit)
This week`s edit of the week comes from Rare Wiri Records main man Rayko.
Ive been checking out alot of this DJ-producer from Spain and founder
of Rare Wiri Records on his soundcloud page over the last few months and he always delivers the goods with some really nice edits and reworks, Rayko aka Raico Pena has once again delivered and his track selection is top notch by picking a classic piece of music by my favourite Diva Chaka Khan to add his magic too, Chaka Khan`s Eye to eye is a killer track and Rayko has made into a dancefloor gem thats right up my street, what a nice groove check it out here
Chaka Khan - Eye to eye (rayko edit) by Rayko
And here`s a little taste of the diva herself with a live performance of the original. Enjoy :)
This week`s edit of the week comes from Rare Wiri Records main man Rayko.
Ive been checking out alot of this DJ-producer from Spain and founder
of Rare Wiri Records on his soundcloud page over the last few months and he always delivers the goods with some really nice edits and reworks, Rayko aka Raico Pena has once again delivered and his track selection is top notch by picking a classic piece of music by my favourite Diva Chaka Khan to add his magic too, Chaka Khan`s Eye to eye is a killer track and Rayko has made into a dancefloor gem thats right up my street, what a nice groove check it out here
Chaka Khan - Eye to eye (rayko edit) by Rayko
And here`s a little taste of the diva herself with a live performance of the original. Enjoy :)
Tuesday, September 7, 2010
GOLDY'S TIME OF THE MONTH AUGUST 2010
Eh Up
August..........couple of flights......3 different cities , 5 different gigs and a whole mess of idea's rubbed out by lack of sleep.
This months outburst has a lot to do with the above and starting a pure hip hop mixxx ( the first i've done in a long long long time , which as someone pointed out " Your known as a hip hoppy dj aren't ya ? " ) so some of the tracks that got left out from " Goldy's My Hip Hop Golden Ear's " appear here..
Not very interesting info that.
Keep It country Kidz
Goldy
www.thebeautyofnothing.blogspot.com
320 HERE ( RIGHT CLICK "SAVE AS" LEFT CLICK TO LISTEN )
DOWNLOAD
TRACKLISTING
1. Public Enemy
2. Hi-C
3. Brentford All-Stars
4. Handsome Boy Modeling School
5. Brownie McGhee & Sonny Terry
6. Jeff Redd
7. Positive-K
8. Two Live Crew
9. The Police
10. The Panzant Brothers
11. Deltron 3030
12. Slayer
13. Focus
14. The Prodigy
15. Geogre Clinton
16. Luke Campbell
17. Incredible Bongo Band
18. Bomb The Bass
19. The Strokes
20. Biggie
21. Kid Capri
22. Kraftwerk
23. James Brown
24. Medeski , Martin & Wood
25. Elisabeth
26. Kate Bush
27. Journeyman
28. Nikki D
29. Mc Shy D
All Scratches , Blends , Interludes etc by Me-Self.
320 HERE
( RIGHT CLICK "SAVE AS" LEFT CLICK TO LISTEN )
DOWNLOAD
PIECES
GOLDY
www.goldy.vwat.net
www.thebeautyofnothing.blogspot.com
Monday, September 6, 2010
DA MONDAY SAMPLE............THE WINSTON BROTHERS " AMEN "
THE WINSTON BROTHER'S " AMEN "
( ONE MINUTE AND TWENTY SIX SECONDS IN KIDDDDDD )
The song itself achieved fame within the hip hop and subsequent electronic music communities when a former Downstairs Records employee known as Breakbeat Lenny compiled it onto his 1986 Ultimate Breaks and Beats bootleg series for DJs. Lenny hired Louis Flores to edit four bars of the drum break at a much slower speed than the remainder of the song. Although it created a jarring difference in tempo in the center of the song, it allowed Hip-Hop DJs to extend the beat by switching between two copies of the record on two separate turntables at a danceable tempo while ignoring the rest of the song (this technique was created by Kool Herc in 1974 and became a trend at large in 1977 with the efforts of Grandmaster Flash). By 1987, E-mu released the SP1200 sampler, altering Hip-Hop production techniques from drum machines to sampled loops. Most producers began to mine their loops initially from Ultimate Breaks and Beats series, causing the Amen break to gain a massive amount of fame in the late 80s hip-hop community, crossing over to the U.K. and European dance music scenes shortly afterwards. Eventually, the song was reissued in its original form at a higher quality sound, and since most contemporary electronic music producers were speeding up the sample, the bootlegged slower edited version fell out of favor.
WHERE DO YOU START WITH THIS ONE. !!!!!!!!!!
ONE THING TO CONSIDER WHILST BROWSING. TALK ABOUT HAVING THE LOTTERY TICKET IN YOUR HAND AND LOSING IT ON BUMPER , BUMPER JACKPOT , ROLL-OVER AND OVER WEEK.
( Neither the performer, drummer G.C. Coleman, nor the copyright owner Richard L. Spencer have ever received any royalties or clearance fees for the use of the sample. )
I CAN'T THINK OF ANOTHER BREAK THAT NOT ONLY INSPIRED MANY A SAMPLER BUT IT COULD BE ARGUED STARTED A WHOLE MUSIC GENRE / SCENE
" By 1990, at the height of British rave culture, the Amen began to appear in an increasing number of breakbeat hardcore productions. Hardcore emphasized a unique, harsh, aggressive sound that drew strongly from hip-hop and early acid house. It added a hip-hop influence with the addition of breakbeats and increased the tempo. A strong reggae and ragga influence emerged in 1991 and 1992, with uplifting piano melody loops or Jamaican reggae samples used at normal speed layered on top of frenetic 150 to 170 BPM breakbeats. This sound quickly evolved to a point where sliced and diced drum breaks in conjunction with low frequency bass lines became the important features of many tracks. This style was initially referred to as Jungle but later, as it progressed and rhythmic elements were refined, the term drum and bass became more common. Around the mid 1990s a number of IDM producers, who had been influenced by the Jungle/DnB sound, began to focus on the style and started exploring it in the context of electronica. Making "danceable" club oriented tracks was not a prerequisite. In fact, the more outlandish and obscure the manipulations, the more aesthetically pleasing the records were to aficionados—a trend that continues to this day in the form of breakcore. The amen break can still be found in many productions and there has been a renewed interest in the "old-skool" Jungle style in recent years. Luke Vibert, one of the many IDM producers who has explored this break (other examples include Squarepusher), has released several records under the moniker Amen Andrews, using the Amen on nearly every track, heavily sliced and edited, yet recognizable. "
ONE DROP CLASSIC.......
WHISTLE KREW.............KIK IT MAN........
SCREWED , STRETCHED AND PLAIN BUTHERED.
MURDERING IT.............U CLIPP & GLITCH WILL COME IN YOUR PANTS
THEN THE LONG HAIR TYPES GOTS A DOSE OF " AMEN "
AND YES I WANT TO SEE SLIPKNOW LIVE BEFORE I DIE.
THIS COULD GO ON AND ON AND ON AND ON........BUT
AND HERE'S A YOUTUBE HIT DOCUMENTARY ON THE " BREAK "
ONE.
GOLDY
www.goldy.vwat.net
( ONE MINUTE AND TWENTY SIX SECONDS IN KIDDDDDD )
The song itself achieved fame within the hip hop and subsequent electronic music communities when a former Downstairs Records employee known as Breakbeat Lenny compiled it onto his 1986 Ultimate Breaks and Beats bootleg series for DJs. Lenny hired Louis Flores to edit four bars of the drum break at a much slower speed than the remainder of the song. Although it created a jarring difference in tempo in the center of the song, it allowed Hip-Hop DJs to extend the beat by switching between two copies of the record on two separate turntables at a danceable tempo while ignoring the rest of the song (this technique was created by Kool Herc in 1974 and became a trend at large in 1977 with the efforts of Grandmaster Flash). By 1987, E-mu released the SP1200 sampler, altering Hip-Hop production techniques from drum machines to sampled loops. Most producers began to mine their loops initially from Ultimate Breaks and Beats series, causing the Amen break to gain a massive amount of fame in the late 80s hip-hop community, crossing over to the U.K. and European dance music scenes shortly afterwards. Eventually, the song was reissued in its original form at a higher quality sound, and since most contemporary electronic music producers were speeding up the sample, the bootlegged slower edited version fell out of favor.
WHERE DO YOU START WITH THIS ONE. !!!!!!!!!!
ONE THING TO CONSIDER WHILST BROWSING. TALK ABOUT HAVING THE LOTTERY TICKET IN YOUR HAND AND LOSING IT ON BUMPER , BUMPER JACKPOT , ROLL-OVER AND OVER WEEK.
( Neither the performer, drummer G.C. Coleman, nor the copyright owner Richard L. Spencer have ever received any royalties or clearance fees for the use of the sample. )
I CAN'T THINK OF ANOTHER BREAK THAT NOT ONLY INSPIRED MANY A SAMPLER BUT IT COULD BE ARGUED STARTED A WHOLE MUSIC GENRE / SCENE
" By 1990, at the height of British rave culture, the Amen began to appear in an increasing number of breakbeat hardcore productions. Hardcore emphasized a unique, harsh, aggressive sound that drew strongly from hip-hop and early acid house. It added a hip-hop influence with the addition of breakbeats and increased the tempo. A strong reggae and ragga influence emerged in 1991 and 1992, with uplifting piano melody loops or Jamaican reggae samples used at normal speed layered on top of frenetic 150 to 170 BPM breakbeats. This sound quickly evolved to a point where sliced and diced drum breaks in conjunction with low frequency bass lines became the important features of many tracks. This style was initially referred to as Jungle but later, as it progressed and rhythmic elements were refined, the term drum and bass became more common. Around the mid 1990s a number of IDM producers, who had been influenced by the Jungle/DnB sound, began to focus on the style and started exploring it in the context of electronica. Making "danceable" club oriented tracks was not a prerequisite. In fact, the more outlandish and obscure the manipulations, the more aesthetically pleasing the records were to aficionados—a trend that continues to this day in the form of breakcore. The amen break can still be found in many productions and there has been a renewed interest in the "old-skool" Jungle style in recent years. Luke Vibert, one of the many IDM producers who has explored this break (other examples include Squarepusher), has released several records under the moniker Amen Andrews, using the Amen on nearly every track, heavily sliced and edited, yet recognizable. "
ONE DROP CLASSIC.......
WHISTLE KREW.............KIK IT MAN........
SCREWED , STRETCHED AND PLAIN BUTHERED.
MURDERING IT.............U CLIPP & GLITCH WILL COME IN YOUR PANTS
THEN THE LONG HAIR TYPES GOTS A DOSE OF " AMEN "
AND YES I WANT TO SEE SLIPKNOW LIVE BEFORE I DIE.
THIS COULD GO ON AND ON AND ON AND ON........BUT
AND HERE'S A YOUTUBE HIT DOCUMENTARY ON THE " BREAK "
ONE.
GOLDY
www.goldy.vwat.net
Thursday, September 2, 2010
Stevie G - The Soul of the Electric Picnic 2010
Earlier in the week we gave you our picks for some good acts at this years Electric Picnic and now we're giving you some good music from those and other acts, in the form of the latest installment of Stevie G's podcast
"The Electric Picnic takes place this weekend in Stradbally in Ireland. I've been to them since the start and usually end of spinning there too. This year i'm not working there but I was trying to convince a few friends who were not impressed with the line-up that it was still very good so I said i'd throw a few tunes down for them. It ended up as a mix that i did live this morning. It's only a few of the acts that are performing so it's far from definitive, but it's mainly my personal taste and mainly music with a bit of soul to it. It contains everything from obscure mixes to obvious classics and hopefully it will keep you company on the drive up and might even get a few spins back in the campsite late at night! Enjoy
Stevie G (August 31st 2010)"
Hood Pass Intact f. MC Eiht Dam-Funk
Sankofa Hypnotic Brass Ensemble
One Of Those Days feat. Mystro Yes King
Girl I Love You (She is Danger Remix) Massive Attack
All My Friends (Harvey Mix) LCD Soundsystem
Chasing The Broken Hearted Phil RetroSpector
Brothers On The Slide Cymande
Back Home Gil Scott-Heron
Donkey Ride feat. Quantic Mr. Scruff
Wondaland Janelle Monáe
Moving Cathy Davey
Interview (Instrumental) Brian Deady
Interview Brian Deady
Release The Pressure Leftfield
Like Some Dream I Cant Stop Dreaming (Break Mix) Daniel Wang
Be Still (Ft. Janelle Monáe) Big Boi
Over And Over (Intrumental) Hot Chip
Over And Over Hot Chip
Optimo Liquid Liquid
Pacific 0101 (Remix Edit Version) 808 State
Clear Cybotron
Love Is The Drug Bryan Ferry & Roxy Music
This Is Not A Love Song Public Image Limited
Humble Magnificent Edan
Teach The Children Dennis Alcapone
Gimmix! Play Loud John Cooper Clarke
My Voice Is Insured For Half A Million Dollars Dennis Alcapone
Outro-Roady Fat Freddy's Drop
Subsrcibe & Download Here
Wednesday, September 1, 2010
Cee Lo - Fuck You (official video)
Heres the official video to Cee Lo homage to the "F" word. Taken from his next album "Lady Killers" due out on Dec 7
Edit Of The Week (No.2)
Q tip-give me what ya got-sman remix by DJ S-MAN
This week`s pick is straight off the pages of soundcloud is a very tastefull Mash up of Q-tips, "Breathe And Stop" by Dj S Man aka Simon Simpson of Perth, Australia, Dj S Man drops Tip`s vocal over this classic disco break and its sounds like it was always there, if this is your cup of tea check out Dj S Man`s page for more nice mash`s of Hip Hop artists like Common, ODB, Big Daddy Kane, Doug Lazy, Nas, & Biggie
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